Costumes for a play by The Wooster Group at The Performing Garage and The Public Theater, New York, São Paulo, Edinburgh, Amsterdam, Berlin, Los Angeles, Barcelona, Santiago and others (2007)
An archaeological excursion into America’s cultural past, The Wooster Group’s highly experimental, multimedia incarnation of Hamlet channels the ghost of Richard Burton’s legendary 1964 Broadway performance. The idea that the Burton production brought a live theater experience to thousands of simultaneous viewers in different cities was trumpeted as a new form called “Theatrofilm.” The Wooster Group attempts to reverse the process, reconstructing a hypothetical theater piece from the fragmentary evidence of the edited film. Claudia Hill’s costumes for the production play with this concept of fragmentation. She develops details that hint at the characters attributes, based on Burton’s original production.
Hamlet | Scott Shepherd |
Claudius/Marcellus/Ghost/Gravedigger | Ari Fliakos |
Gertrude/Ophelia | Kate Valk |
Polonius | Greg Mehrten |
Horatio/Rosencrantz/Guildenstern/Player Queen | Daniel Pettrow |
Laertes/Rosencrantz/Guildenstern/Player King | Casey Spooner |
Nurse | Koosil-ja |
Bernardo/Voltemand | Alessandro Magania |
Director | Elizabeth LeCompte |
Set | Ruud van den Akker |
Lighting | Jennifer Tipton |
Sound | Matt Schloss Omar Zubair Bobby McElver |
Video | Andrew Schneider Aron Deyo |
Assistant to the Director/Stage Manager | Teresa Hartmann |
Production Manager | Jim Dawson |
Technical Director | Aron Deyo |
Master Electrician | Kent Barrett |
Associate Director | Kate Valk |
Producer | Cynthia Hedstrom |
General & Company Manager | Sandra Garner |
Development & Marketing | Jamie Poskin |
Archivist | Clay Hapaz |
Video Blog | Zbigniew Bzymek |
Costumes | Claudia Hill |
Fight Coach | Felix Ivanov |
Laertes' Songs | FISCHERSPOONER |
Additional Music | Warren Fischer |
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